On Ecocomposition: An interview with Damián Keller
Composer and professor Damián Keller has been researching ecologically grounded sounds, which come out of a study of ecology and the everyday environment, since the late 1980s. His work has dealt with a range of issues, including naive creativity, ubiquitous music making, and ecologically-based granular synthesis. He is interviewed here on topics of ecocomposition, everyday sound, and environmental activism.
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Capasso, A., Keller, D., & Tinajero, P. (2014). InMesh. Multimedia Installation with video projectors and surround sound. Retrieved from <https://capassokellertinajero.squarespace.com/portfolio#/inmesh> [Accessed 14 Apr 2020].
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Lima, M. H., Keller, D., Pimenta, M. S., Lazzarini, V., & Miletto, E. M. (2012). Creativity-centred design for ubiquitous musical activities: Two case studies. Journal of Music, Technology & Education, 5(2), 195-222.
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Keller, D., & Capasso, A. (2005) Vivir Sin Después. On Organised Sound DVD. (2005). Organised Sound, 10(3), 279-282. doi: 10.1017/S1355771805001007
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Scipio, A. D. (2002). The synthesis of environmental sound textures by iterated nonlinear functions, and its ecological relevance to perceptual modeling. Journal of New Music Research, 31(2), 109-117.
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