Reseña Crítica: Estética de lo performativo de Erika Fischer- Lichte
References
Auslander, Philipp. (2006). “Musical Personae”. The Drama Review 50 (1), 100-119. New York: New York University and the Massachusetts Institute of Technology.
Chiantore, Luca (2017). "Undisciplining Music: Artistic Research and Historiographic Activism". ÍMPAR: Online Journal for Artistic Research, vol. 1, no 2 (2017): 3-21.
Conquergood, Dwight. (1998). “Beyond the text: Towards a Performative Cultural Politics”. New York: Communication Monographs 58.
Conquergood, Dwight. (2002). “Performance Studies: Interventions and Radical Research”. New York: The MIT Press.
Cook, Nicholas. (2013). Beyond the score: Music as performance. Oxford: Oxford University Press.
Fischer-Lichte, Erika. (2011) [2004]. Estética de lo Performativo. Madrid: Abada Editores.
Schechner, Richard. (2002). Performance Studies: An Introduction. New York: Routledge.
Chiantore, Luca (2017). "Undisciplining Music: Artistic Research and Historiographic Activism". ÍMPAR: Online Journal for Artistic Research, vol. 1, no 2 (2017): 3-21.
Conquergood, Dwight. (1998). “Beyond the text: Towards a Performative Cultural Politics”. New York: Communication Monographs 58.
Conquergood, Dwight. (2002). “Performance Studies: Interventions and Radical Research”. New York: The MIT Press.
Cook, Nicholas. (2013). Beyond the score: Music as performance. Oxford: Oxford University Press.
Fischer-Lichte, Erika. (2011) [2004]. Estética de lo Performativo. Madrid: Abada Editores.
Schechner, Richard. (2002). Performance Studies: An Introduction. New York: Routledge.
Published
2019-08-02
Issue
Section
Critical Review
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