"We sing, we compose!"

a children's choir experience

  • ANA LÚCIA IARA GABORIM-MOREIRA UFMS
Keywords: children’s choir; choral conducting; virtual choir; children´s composition

Abstract

This paper is a brief report of an experience with the children's choir PCIU! (Projeto Coral Infantojuvenil da UFMS), in Campo Grande, Brazil, during the pandemic period - when the rehearsals were carried out online. Faced with the feelings of discouragement and uncertainty brought on by COVID-19, it was realized that the choral rehearsal could be a possibility of conversation between children, where they could talk about what they were feeling and living in this period of adaptation, and this could be expressed by music. In this article, we discuss the structure of choral rehearsal and the process of composition itself, with the support of authors that write about music education and children’s choir conducting.

 

 

References

Bartle, J.A. (2003). Sound advice: becoming a better children’s choir conductor. New York: Oxford University Press.

Beineke, V.; Zanetta, C. C. (2014). “Ou Isto ou Aquilo”: a Composição na Educação Musical para Crianças. Revista Música Hodie. V.14 – n.1, Goiânia: Programa de Pós-graduação em Musica da Universidade Federal de Goiânia. pp. 197-210.

Burnard, P. (2006). The individual and social worlds of children’s musical creativity. In: Mc Pherson, G. E. The child as musician: a handbook of musical development. New York: Oxford University Press. pp. 353-374.

Filipak, R.; Ilari, B. (2008). Mães e Bebês: vivência e linguagem musical. Revista Música Hodie, v. 5, n. 1. Goiânia: Programa de Pós-graduação em Música da Universidade Federal de Goiânia. pp. 85-100.

Fonterrada, M.T.O. (2008). De tramas e fios: um ensaio sobre música e educação. São Paulo: Editora Unesp.

Gaborim-Moreira, A.L.I. (2015). Regência coral infantojuvenil no contexto da extensão universitária: a experiência do PCIU. Thesis (Doctoral Degree). São Paulo: Escola de Comunicações e Artes da Universidade de São Paulo.

Goetze, M; Broeker, A; Boshkoff, R. (2011). Educating young singers: a choral resource for teacher-conductors. New Palestine: Mj Publishing.

Houlahan, M.; Tacka, P. (2008). Kodály today: a cognitive approach to elementary music education. New York: Oxford University Press.

Juntunen, M-L. (2002). Practical Applications of Dalcroze Eurhythmics. Nordic Research in Music Education Yearbook Vol. 6. pp. 75-92.

Rao, D. (1987). Choral Music Experience... education through Artistry. 2nd edition. USA: Boosey & Hawkes Inc..

Swanwick, K. (1988). Music, mind and education. New York: Routledge.

Webster, P.R. (2009). Children as creative thinkers in music: focus on composition. In: Hallam, S.; Cross, I. and Thaut, M. The Oxford handbook of music psychology. Oxford University Press, New York. pp. 421-428.

Welch, G. F., & Adams, P. (2003). How is music learning celebrated and developed. Southwell, Notts, UK: British Educational Research Association.

Welch, G. F. (2011). Psychological aspects of singing development in children. Retrieved from: https://musicmindandbrain.wordpress.com/2011/05/07/psychological-aspects-of-singing-development-in-children/ . Accessed on: February 15, 2023.

Wurgler, P. (1990). A perceptual study of vocal registers in the singing voices of children. Dissertation for the Doctor of Philosophy. Graduate School of The Ohio State University.
Published
2023-07-10