Cassandra’s Dream Song: Let’s (not) talk about gender

Authors

  • Ine Vanoeveren Royal Conservatoire Antwerp

DOI:

https://doi.org/10.34624/impar.v2i2.898

Keywords:

Hysteria, gender stigmatization, conceptual interpretation

Abstract

Cassandra’s Dream Song (1970), the first flute solo piece by the British ‘New Complexity’ composer Brian Ferneyhough, has been a controversial and gender related composition for decades. The Western stereotypical stigmatization is still intertwined with the interpretation of this complex masterpiece. In my search for a truthful and contemporary analysis of the piece, I explore Cassandra's psychological path.

References

Downloads

Published

2019-03-13

Issue

Section

Articles