Ficção mínima: potência e acto no teatro de Augusto Abelaira

Abstract

Having produced three theatre plays to which scarce critical attention has been devoted, Augusto Abelaira appears to have dislocated a potential theatricality to the fi ctional arena. In this article we attempt to isolate those narrativized minimal dramas, while reading the author’s dramatic production in the light of the crucial thematic guidelines that shape his novels.