Espaço, gestos e audiência no prólogo de Édipo Tirano de Sófocles
Palabras clave:
Sófocles, Edipo Tirano, prólogo, audiencia, movimiento escénico
Resumen
El prólogo de Edipo Tirano de Sófocles puede considerarse una obra perfecta de compromiso del público y producción de movimiento escénico. La implicación del tragediógrafo con el público se produce por su capacidad para fusionar en esta obra realidad y mito, sin sobrepasar los límites de las convenciones del teatro ateniense. Además, el uso de una construcción lingüística precisa refuerza la implicación del público y, al mismo tiempo, manifiesta todos los movimientos escénicos de los actores. Con base en estos hechos, se pretende analizar en este artículo el texto del prólogo de la obra para demostrar con qué expedientes el tragediógrafo alcanza sus fines.
Citas
ARNOTT, Peter D. (1991), Public and Performance in the Greek Theatre. London, New York, Routledge.
ARISTOTE (1985), Poétique. Texte établi et traduit par J. Hardy (ed.). Paris, Les Belles Lettres.
BAIN, David (1975), Audience Address in Greek Tragedy. Cambridge: University Press. The Classical Quartely vol. 25, nº1, (May) 13-25.
BAILLY (2000), Dictionnaire Grec-Français. Édition revue par L. SECHAN et P. CHANTRAINE. Paris, Hachette.
CALDER, William M. (1959), “The Staging of the Prologue of ‘Oedipus Tiranus’”. Classical Association of Canada. Phoenix, vol. 13, nº 3, (Autumn), 121-129.
CHASTON, Colleen (2010), Props and Cognitive Function: aspects of the function of images in the thinking. Leiden, Boston, Brill.
CSAPO, Eric (2010), Actors and Icons of the Acient Theatre. Oxford, Wiley-Blackwell.
DIODORE DE SICILE (2002). Bibliothèque Historique. Paris, Les Belles Lettres, XII, text etabli e traduit par Michel CASEVITZ.
ERCOLANI, Andréa (2000), Il passagio di parola sulla scena tragica: Didascalie interne e struttura delle rheseis. Stuttgart; Weimar, Metzler.
HARRISON, W. M. George and LIAPIS, Vayos Ed. (2013), Performance in Greek and Roman Theatre. Leiden, Boston, Brill.
HUNTER, Richard and UHLIG, Anna (2017), Imagining Redperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric. Cambridge, University Press.
JACOBSON, David Julius (2011), Show Business: Deixis in Fifth-Century Athenian Drama. Dissertation submitted in partial satisfaction of the requeriments for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley. URL: https://escholarship.org/uc/item/2c92d141
LYONS, J. (1977), Semantics. Cambridge, Cambridge University Press.
KNOX, Bernard (2002), Édipo em Tebas: o herói trágico de Sófocles e seu tempo. São Paulo, Ed. Perspectiva.
KAMERBEEK, J. C. (2000), The Plays of Sophocles: Commentaries 1-7, Volume 4: Oedipus Tyrannus. Leiden, Boston, Brill.
NELLI, Maria Florencia (2006), Space, Deixis and Stage Management in Sophocles´ Trachiniae. Monograph submitted to the Faculty of Classics, in partial of fulfillment of the degree of Master in Philosophy in Greek Languages. URL: https://www.academia.edu/681774/Space_Deixis_and_Stage_Management_in_Sophocles_Trachiniae
NUNLIST, René (2009), The Ancient Critic at Work: Terms and Concepts of Literary Criticism in Greek Scholia. Cambridge, University Press.
PERKINS, Revere D. (1992), Deixis, Grammar, and Culture. Amsterdam/ Philadelphia, John Benjamins Publishing Company.
RAEBURN, David (2017), Greek Tragedies as Plays for Performance. Oxford, Willey Blackwell.
REVERMANN, Martin and WILSON, Peter (2008), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford, University Press.
ROMIZI, Renato (2007), Vocabolario Greco-Italiano, Etimologico e Ragionato. Bologna, Zanichelli, 3ª ed.
SHISLER, Famee Lorene (1945), The use of Stage Business to Portray Emotion in Greek Tragedy. The Jonhs Hopkins University Press. The American Journal of Philology vol. 66, nº 04, 377-397.
SOFOCLE (2011), Edipo Re. Storia e autori della letteratura greca. A cura di V. CITTI, C. CASALI e F. CONDELO (eds.). Bologna, Zanichelli Editore.
SOFOCLE (2010), Edipo Re. Introduzione, traduzione e commento di M. STELLA. Roma, Carocci editore.
SOFOCLE (1958), Tragédies II, Ajax Oedipe roi Electre. Texte établi par: A. DAIN, J. IRIGOIN; Traduit par: P. MAZON. Paris, Les Belles Lettres.
SOPHOCLES (1990), Oidipous Tyrannus. Comentary: J. RUSTEN. Pennsylvania, Bryn Mawr.
SOPHOCLES (1982), Oedipus Rex. Edited by DAWE, R. D. Cambridge, University Press.
TAPLIN, Oliver (1985), Greek Tragedy in Action. Cambridge, Universit Press.
TUCIDIDE (1982), Le Storie. A cura di Guido DONINI. Torino, Unione Tipografico-Editrice Torinense, volume primo.
WILES, David (1997), Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge, Universit Press.
ARISTOTE (1985), Poétique. Texte établi et traduit par J. Hardy (ed.). Paris, Les Belles Lettres.
BAIN, David (1975), Audience Address in Greek Tragedy. Cambridge: University Press. The Classical Quartely vol. 25, nº1, (May) 13-25.
BAILLY (2000), Dictionnaire Grec-Français. Édition revue par L. SECHAN et P. CHANTRAINE. Paris, Hachette.
CALDER, William M. (1959), “The Staging of the Prologue of ‘Oedipus Tiranus’”. Classical Association of Canada. Phoenix, vol. 13, nº 3, (Autumn), 121-129.
CHASTON, Colleen (2010), Props and Cognitive Function: aspects of the function of images in the thinking. Leiden, Boston, Brill.
CSAPO, Eric (2010), Actors and Icons of the Acient Theatre. Oxford, Wiley-Blackwell.
DIODORE DE SICILE (2002). Bibliothèque Historique. Paris, Les Belles Lettres, XII, text etabli e traduit par Michel CASEVITZ.
ERCOLANI, Andréa (2000), Il passagio di parola sulla scena tragica: Didascalie interne e struttura delle rheseis. Stuttgart; Weimar, Metzler.
HARRISON, W. M. George and LIAPIS, Vayos Ed. (2013), Performance in Greek and Roman Theatre. Leiden, Boston, Brill.
HUNTER, Richard and UHLIG, Anna (2017), Imagining Redperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric. Cambridge, University Press.
JACOBSON, David Julius (2011), Show Business: Deixis in Fifth-Century Athenian Drama. Dissertation submitted in partial satisfaction of the requeriments for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley. URL: https://escholarship.org/uc/item/2c92d141
LYONS, J. (1977), Semantics. Cambridge, Cambridge University Press.
KNOX, Bernard (2002), Édipo em Tebas: o herói trágico de Sófocles e seu tempo. São Paulo, Ed. Perspectiva.
KAMERBEEK, J. C. (2000), The Plays of Sophocles: Commentaries 1-7, Volume 4: Oedipus Tyrannus. Leiden, Boston, Brill.
NELLI, Maria Florencia (2006), Space, Deixis and Stage Management in Sophocles´ Trachiniae. Monograph submitted to the Faculty of Classics, in partial of fulfillment of the degree of Master in Philosophy in Greek Languages. URL: https://www.academia.edu/681774/Space_Deixis_and_Stage_Management_in_Sophocles_Trachiniae
NUNLIST, René (2009), The Ancient Critic at Work: Terms and Concepts of Literary Criticism in Greek Scholia. Cambridge, University Press.
PERKINS, Revere D. (1992), Deixis, Grammar, and Culture. Amsterdam/ Philadelphia, John Benjamins Publishing Company.
RAEBURN, David (2017), Greek Tragedies as Plays for Performance. Oxford, Willey Blackwell.
REVERMANN, Martin and WILSON, Peter (2008), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford, University Press.
ROMIZI, Renato (2007), Vocabolario Greco-Italiano, Etimologico e Ragionato. Bologna, Zanichelli, 3ª ed.
SHISLER, Famee Lorene (1945), The use of Stage Business to Portray Emotion in Greek Tragedy. The Jonhs Hopkins University Press. The American Journal of Philology vol. 66, nº 04, 377-397.
SOFOCLE (2011), Edipo Re. Storia e autori della letteratura greca. A cura di V. CITTI, C. CASALI e F. CONDELO (eds.). Bologna, Zanichelli Editore.
SOFOCLE (2010), Edipo Re. Introduzione, traduzione e commento di M. STELLA. Roma, Carocci editore.
SOFOCLE (1958), Tragédies II, Ajax Oedipe roi Electre. Texte établi par: A. DAIN, J. IRIGOIN; Traduit par: P. MAZON. Paris, Les Belles Lettres.
SOPHOCLES (1990), Oidipous Tyrannus. Comentary: J. RUSTEN. Pennsylvania, Bryn Mawr.
SOPHOCLES (1982), Oedipus Rex. Edited by DAWE, R. D. Cambridge, University Press.
TAPLIN, Oliver (1985), Greek Tragedy in Action. Cambridge, Universit Press.
TUCIDIDE (1982), Le Storie. A cura di Guido DONINI. Torino, Unione Tipografico-Editrice Torinense, volume primo.
WILES, David (1997), Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge, Universit Press.
Publicado
2023-03-08
Sección
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