Staging the Emotions in Giulio Camillo’s Theatre: Syncretism, Embodied Cognition and the Arts of Memory
Palavras-chave:
Giulio Camillo, Cabala, artes da memória, emoção, cognição incorporada, imagines agentes
Resumo
Este artigo examina um aspeto muito negligenciado da obra de Giulio Camillo: o papel das emoções e sua simbolização sistemática através da imagem dos pés em L'Idea del Theatro (1550) e De l'humana deificatione (c. 1542). Uma dupla hipótese é sugerida: por um lado, a associação negativa dos pés feita por Camillo com as emoções decorre de sua leitura sincrética da Cabala e da teologia cristã; por outro lado, essa mistura conceitual é sustentada pela dinâmica cognitiva incorporada intrínseca às imagines agentes das artes da memória, na tradição da Rhetorica ad Herennium.
Referências
ALBERTI, L. B. (2011), On Painting. A New Translation and Critical Edition, trans. R. SINISGALLI. Cambridge, Cambridge University Press.
ARMSTRONG, P. B. (2020), Stories and the Brain: The Neuroscience of Narrative. Baltimore, Johns Hopkins University Press.
BARBIERI, G. (1980), “L’artificiosa rota: il teatro di Giulio Camillo”: L. PUPPI (ed.) (1980), Architettura e Utopia nella Venezia del Cinquecento. Milano, Electa, 209-12.
BARSALOU, L. W. (2008), “Grounded Cognition”: Annual Review of Psychology 59.1 (2008) 617-45.
BOLENS, G. (2012), The Style of Gestures: Embodiment and Cognition in Literary Narrative. Baltimore, The Johns Hopkins University Press.
BOLENS, G. (2018), “Relevance Theory and Kinesic Analysis in Don Quixote and Madame Bovary”: T. CAVE & D. WILSON (eds.) (2018), Reading Beyond the Code. Literature and Relevance Theory. Oxford, Oxford University Press, 55-70.
BOLENS, G. (2018b), “Kinesis in Literature and the Cognitive Dynamic of Gestures in Chaucer, Shakespeare, and Cervantes”: Costellazioni. Rivista di lingue e letterature 5 (2018b) 81-103.
BOLENS, G. (2021), Kinesic Humor: Literature, Embodied Cognition, and the Dynamics of Gesture. New York, Oxford University Press.
BOLOGNA, C. (1992), “Esercizi di memoria. Dal ‘Theatro della sapientia’ di Giulio Camillo agli “essercizi spirituali” di Ignazio di Loyola”: L. BOLZONI & P. CORSI (eds.) (1992), La cultura della memoria. Bologna, Il Mulino, 35-56.
BOLZONI, L. (1992), “Costruire immagini. L’arte della memoria tra letteratura e arti figurative”: L. BOLZONI & P. CORSI (eds.) (1992), La cultura della memoria. Bologna, Il Mulino, 57-96.
BOLZONI, L. (2001), The Gallery of Memory, trans. J. PARZEN. Toronto, University of Toronto Press.
BOLZONI, L. (2011), “Giulio Camillo’s Memory Theatre and the Kabbalah”: I. ZINGUER, A. MELAMED & Z. SHALEV (eds.) (2011), Hebraic Aspects of the Renaissance: Sources and Encounters. Leiden; Boston, Brill, 14-26.
BOLZONI, L. (2015), “Introduzione”: G. Camillo (2015), L’Idea del Theatro, L. BOLZONI (ed.). Milano, Adelphi, 9-128.
BOLZONI, L. (2017), “The Memory Theatre of Giulio Camillo: Alchemy, Rhetoric, and Deification in the Renaissance”: P. J. FORSHAW (ed.) (2017), Lux in Tenebris: the Visual and the Symbolic in Western Esotericism. Leiden-Boston, Brill, 66-80.
BOLZONI, L. (2017b), “Art of Memory and Literary Invention (Dante and Giulio Camillo)”: M. A. IRIMIA, D. MANEA & A. PARIS (eds.) (2017), Literature and Cultural Memory. Leiden- Boston, Brill-Rodopi, 109-27.
BOLZONI, L. (2018), “Théâtres de mémoire à la Renaissance: poèmes et galeries de peintures”: A. BERTHOD & J. SCHEID (eds.) (2018), Les arts de la mémoire et les images mentales. Paris, Collège de France. doi: 10.4000/books.cdf.5504.
BOWD, S., & COCKRAM, S. (2017), “Introduction. The animal in Renaissance Italy”: Renaissance Studies 31.2 (2017) 183-200.
BRICKHOUSE, T. C., & SMITH, N. D. (2010), Socratic Moral Psychology. Cambridge, Cambridge University Press.
BYERS, S. C. (2012), Perception, Sensibility, and Moral Motivation in Augustine. A Stoic-Platonic Synthesis. Cambridge, Cambridge University Press.
CAMILLO, G. (1984), De l’humana deificatione: C. VASOLI (ed.) (1984), “Uno scritto inedito di Giulio Camillo: “De l’humana deificatione”’: Rinascimento (1984) 24 191-227.
CAMILLO, G. (2015), L’Idea del Theatro con «L’idea dell’ eloquenza», il «De Transmutatione» e altri testi inediti, L. BOLZONI (ED.). Milano, Adelphi.
CARRUTHERS, M. (2008), The Book of Memory. A Study of Memory in Medieval Culture, 2nd Edition. Cambridge, Cambridge University Press.
CAVE, T. (2016), Thinking with Literature. Towards a Cognitive Criticism. Oxford, Oxford University Press.
CELLAMARE, D. (2017), “Renaissance Psychology. Franciscus Vallesius (1524-1592) & Otto Casmann (1562-1607) on Animal & Human Souls”: S. BUCHENAU & R. lo PRESTI (eds.) (2017), Human and Animal Cognition in Early Modern Philosophy and Medicine. Pittsburgh, University of Pittsburgh Press, 74-88.
COULIANO, Ioan P. (1987), Eros and Magic in the Renaissance, trans. M. COOK. Chicago: University of Chicago Press.
DIJKSTRA, K. et alii (2014), “Embodied cognition, abstract concepts, and the benefits of new technology for implicit body manipulation”: Frontiers in Psychology 5 Article 757 (2014) 1-8.
FINE, L. (1992), “Purifying the Body in the Name of the Soul: The Problem of the Body in Sixteenth-Century Kabbalah”: H. EILBERG-SCHWARTZ (ed.) (1992), People of the Body. Jews and Judaism from an Embodied Perspective. Albany- NY, State University of New York Press, 117-42.
GALLESE, V., & WOJCIEHOWSKI, H. (2011), “How Stories Make Us Feel: Toward An Embodied Narratology”: California Italian Studies 2.1 (2013) http://dx.doi.org/10.5070/C321008974.
GEORGII VENETI, Francisci [Francesco Giorgi] (1545), De Harmonia Mundi totius Cantica tria. Cum indice eorum, quae inter legendum adnotatu Digna visa fuere, nunc recens addito. Paris, apud Andream Berthelin, via ad divuum Iacobum, in domo Gulielmi Rolandi sub insigni aurae corone: & in vico Longobardorum in domo eiusdem G. Rolandi.
GIBBS, R. W., Jr., & MACEDO, A. C. P. S. (2010), “Metaphor and embodied cognition”: DELTA: Documentação de Estudos em Lingüística Teórica e Aplicada 26 (2010) 679-700.
GIBBS, R. W., Jr. (2017), “Embodied Dynamics in Literary Experience”: M. BURKE & E. TROSCIANKO (eds.) (2017), Cognitive Literary Science: Dialogues between Literature and Cognition. Oxford, Oxford University Press, 219-37.
HOSTETTER, A. B. & BONCODDO, R. (2017), “Gestures Highlight Perceptual-Motor Representations in Thinking”: R. B. CHURCH, M. W. ALIBALI, & S. D. KELLY (eds.) (2017), Why Gesture? How the Hands Function in Speaking, Thinking and Communicating. Amsterdam & Philadelphia, John Benjamins Publishing Company, 155-74.
IGLESIAS-CRESPO, C. (2021), “Energeia as Defamiliarization: Reading Aristotle with Shklovsky’s Eyes”: Journal for the History of Rhetoric 24.3 (2021) 274-89.
IGLESIAS-CRESPO, C. (2022), “La metarretórica cognitiva aristotélica y su influencia sobre el tratamiento de la memoria en la Rhetorica ad Herennium”: Rhetorica: A Journal of the History of Rhetoric 40.1 (2022) 1-22.
KNUUTTILA, S. 2014. “Emotions from Plato to the Renaissance”: S. KNUUTTILA & J. SIHVOLA (eds.) (2014), Sourcebook for the History of the Philosophy of Mind: Philosophical Psychology from Plato to Kant. Dordrecht, Springer, 463-98.
LAKOFF, G., and JOHNSON, M. (1980), Metaphors We Live By. Chicago, University of Chicago Press.
MATT, D. C. (trans. & commentary) (2014), The Zohar. Pritzker Edition, Volume Eight. Stanford, CA, Stanford University Press.
MATUSSEK, P. (2012), “Memory Theatre in the Digital Age”: Performance Research 17.3 (2012) 8-15.
MATUSSEK, P. (2019), “Inventing Interfaces: Camillo’s Memory Theater and the Renaissance of Human-Computer Interaction”: C. VILLASEÑOR BLACK & M. ÁLVAREZ (eds.) (2019), Renaissance Futurities. Science, Art, Invention. Berkeley, CA: University of California Press, 41-64.
MERINO, L. (2007), Retórica y artes de memoria en el Humanismo renacentista (Jorge de Trebisonda, Pedro de Rávena y Francisco Sánchez de las Brozas). Cáceres, Servicio de Publicaciones Universidad de Extremadura.
OSMOND, R. (1990), Mutual Accusation. Seventeenth-Century Body and Soul Dia-logues in Their Literary and Theological Context. Toronto, University of Toronto Press.
OSTAREK, M. & VIGLIOCCO, G. (2017), “Reading Sky and Seeing a Cloud: On the Relevance of Events for Perceptual Simulation”: Journal of Experimental Psychology: Learning, Memory, and Cognition 43.3 (2017) 579–90.
PETERS, J. S. (2004), “Theater and Book in the History of Memory: Materializing Mnemosyne in the Age of Print”: Modern Philology 102.2 (2004) 179-206.
RAITH II, C. (2014) Aquinas and Calvin on Romans. Oxford, Oxford University Press.
ROBINSON, K. (2006), A Search for the Source of the Whirlpool of Artifice: The Cosmology of Giulio Camillo. Edinburgh, Dunedin Academic Press.
RODRÍGUEZ DE LA FLOR, F. (1996), Teatro de la Memoria. Siete ensayos sobre mnemotecnia española de los siglos XVII y XVIII. Salamanca, Junta de Castilla y León- Consejería de Educación y Cultura.
ROSSI, P. (1960), Clavis Universalis. Arti Mnemoniche e Logica Combinatoria da Lullo a Leibniz. Milano-Napoli: Riccardo Ricciardi Editore.
SANTANA, E., & DE VEGA, M. (2011), “Metaphors are embodied, and so are their literal counterparts”: Frontiers in Psychology 2 Article 90 (2011) 1-12.
SIMONS, P. (2016), “Emotion”: S. Broohmhall (ed.) (2016), Early Modern Emotions: An Introduction. London: Routledge, 36-39.
TORRE, A. (2000), “Scena Speranze. Il paradigma del teatro nell’arte della memoria rinascimentale”: Scena: studî sulla vita delle forme nel teatro 3. 5-6 (2000) 11-33.
TIELEMAN, T. (1998), “Plotinus on the Seat of the Soul: Reverberations of Galen and Alexander in Enn. IV, 3 [27], 23”: Phronesis 43.4 (1998) 306-25.
TISHBY, I. & GOLDSTEIN, D. (1989), Wisdom of the Zohar: An Anthology of Texts. Oxford- Portland- Oregon, The Littman Library of Jewish Civilization.
VASOLI, C. (1984), “Uno scritto inedito di Giulio Camillo: ‘De l’humana deificatione’”: Rinascimento 24 (1984) 191-227.
WEBB, H. (2016), Dante's Persons: An Ethics of the Transhuman. Oxford, Oxford University Press.
WEINSTEIN, R. (2009), “The Rise of the Body in Early Modern Jewish Society: The Italian Case Study”: M. DIEMLING & G. VELTRI (eds.) (2009), The Jewish Body. Corporeality, Society, and Identity in the Renaissance and Early Modern Period. Leiden; Boston: Brill, 15-56.
WEST, W. N. (1997), “The Idea of a Theater: Humanist Ideology and the Imaginary Stage in Early Modern Europe”: Renaissance Drama 28 (1997) 245-87.
WILBERDING, J. (2012), “Curbing one’s appetites in Plato’s Republic”: R. BARNEY, T. BRENNAN & C. BRITTAIN (eds.) (2012), Plato and the Divided Self. Cambridge, Cambridge University Press, 128-49.
WOLFSON, E. R. (1992), “Images of God's Feet: Some Observations on the Divine Body in Judaism”: H. EILBERG-SCHWARTZ (ed.) (1992), People of the Body. Jews and Judaism from an Embodied Perspective. Albany-NY, State University of New York Press, 143-82.
YATES, F. (1999), The Art of Memory. London, Routledge.
YATES, F. (2001), The Occult Philosophy in the Elizabethan Age. London, Routledge.
ZHONG, C. & LILJENQUIST, K. (2006), “Washing Away Your Sins: Threatened Morality and Physical Cleansing”: Science 313 (2006) 1451-52.
ZORATTO, I. (2017), “Il simbolismo della tradizione mistica giudaica nel Theatro di Giulio Camillo”: Ce Fastu? Rivista della Società Filologica Friuliana “Graziadio I. Ascoli” XCIII.1-2 (2017) 7-24.
ARMSTRONG, P. B. (2020), Stories and the Brain: The Neuroscience of Narrative. Baltimore, Johns Hopkins University Press.
BARBIERI, G. (1980), “L’artificiosa rota: il teatro di Giulio Camillo”: L. PUPPI (ed.) (1980), Architettura e Utopia nella Venezia del Cinquecento. Milano, Electa, 209-12.
BARSALOU, L. W. (2008), “Grounded Cognition”: Annual Review of Psychology 59.1 (2008) 617-45.
BOLENS, G. (2012), The Style of Gestures: Embodiment and Cognition in Literary Narrative. Baltimore, The Johns Hopkins University Press.
BOLENS, G. (2018), “Relevance Theory and Kinesic Analysis in Don Quixote and Madame Bovary”: T. CAVE & D. WILSON (eds.) (2018), Reading Beyond the Code. Literature and Relevance Theory. Oxford, Oxford University Press, 55-70.
BOLENS, G. (2018b), “Kinesis in Literature and the Cognitive Dynamic of Gestures in Chaucer, Shakespeare, and Cervantes”: Costellazioni. Rivista di lingue e letterature 5 (2018b) 81-103.
BOLENS, G. (2021), Kinesic Humor: Literature, Embodied Cognition, and the Dynamics of Gesture. New York, Oxford University Press.
BOLOGNA, C. (1992), “Esercizi di memoria. Dal ‘Theatro della sapientia’ di Giulio Camillo agli “essercizi spirituali” di Ignazio di Loyola”: L. BOLZONI & P. CORSI (eds.) (1992), La cultura della memoria. Bologna, Il Mulino, 35-56.
BOLZONI, L. (1992), “Costruire immagini. L’arte della memoria tra letteratura e arti figurative”: L. BOLZONI & P. CORSI (eds.) (1992), La cultura della memoria. Bologna, Il Mulino, 57-96.
BOLZONI, L. (2001), The Gallery of Memory, trans. J. PARZEN. Toronto, University of Toronto Press.
BOLZONI, L. (2011), “Giulio Camillo’s Memory Theatre and the Kabbalah”: I. ZINGUER, A. MELAMED & Z. SHALEV (eds.) (2011), Hebraic Aspects of the Renaissance: Sources and Encounters. Leiden; Boston, Brill, 14-26.
BOLZONI, L. (2015), “Introduzione”: G. Camillo (2015), L’Idea del Theatro, L. BOLZONI (ed.). Milano, Adelphi, 9-128.
BOLZONI, L. (2017), “The Memory Theatre of Giulio Camillo: Alchemy, Rhetoric, and Deification in the Renaissance”: P. J. FORSHAW (ed.) (2017), Lux in Tenebris: the Visual and the Symbolic in Western Esotericism. Leiden-Boston, Brill, 66-80.
BOLZONI, L. (2017b), “Art of Memory and Literary Invention (Dante and Giulio Camillo)”: M. A. IRIMIA, D. MANEA & A. PARIS (eds.) (2017), Literature and Cultural Memory. Leiden- Boston, Brill-Rodopi, 109-27.
BOLZONI, L. (2018), “Théâtres de mémoire à la Renaissance: poèmes et galeries de peintures”: A. BERTHOD & J. SCHEID (eds.) (2018), Les arts de la mémoire et les images mentales. Paris, Collège de France. doi: 10.4000/books.cdf.5504.
BOWD, S., & COCKRAM, S. (2017), “Introduction. The animal in Renaissance Italy”: Renaissance Studies 31.2 (2017) 183-200.
BRICKHOUSE, T. C., & SMITH, N. D. (2010), Socratic Moral Psychology. Cambridge, Cambridge University Press.
BYERS, S. C. (2012), Perception, Sensibility, and Moral Motivation in Augustine. A Stoic-Platonic Synthesis. Cambridge, Cambridge University Press.
CAMILLO, G. (1984), De l’humana deificatione: C. VASOLI (ed.) (1984), “Uno scritto inedito di Giulio Camillo: “De l’humana deificatione”’: Rinascimento (1984) 24 191-227.
CAMILLO, G. (2015), L’Idea del Theatro con «L’idea dell’ eloquenza», il «De Transmutatione» e altri testi inediti, L. BOLZONI (ED.). Milano, Adelphi.
CARRUTHERS, M. (2008), The Book of Memory. A Study of Memory in Medieval Culture, 2nd Edition. Cambridge, Cambridge University Press.
CAVE, T. (2016), Thinking with Literature. Towards a Cognitive Criticism. Oxford, Oxford University Press.
CELLAMARE, D. (2017), “Renaissance Psychology. Franciscus Vallesius (1524-1592) & Otto Casmann (1562-1607) on Animal & Human Souls”: S. BUCHENAU & R. lo PRESTI (eds.) (2017), Human and Animal Cognition in Early Modern Philosophy and Medicine. Pittsburgh, University of Pittsburgh Press, 74-88.
COULIANO, Ioan P. (1987), Eros and Magic in the Renaissance, trans. M. COOK. Chicago: University of Chicago Press.
DIJKSTRA, K. et alii (2014), “Embodied cognition, abstract concepts, and the benefits of new technology for implicit body manipulation”: Frontiers in Psychology 5 Article 757 (2014) 1-8.
FINE, L. (1992), “Purifying the Body in the Name of the Soul: The Problem of the Body in Sixteenth-Century Kabbalah”: H. EILBERG-SCHWARTZ (ed.) (1992), People of the Body. Jews and Judaism from an Embodied Perspective. Albany- NY, State University of New York Press, 117-42.
GALLESE, V., & WOJCIEHOWSKI, H. (2011), “How Stories Make Us Feel: Toward An Embodied Narratology”: California Italian Studies 2.1 (2013) http://dx.doi.org/10.5070/C321008974.
GEORGII VENETI, Francisci [Francesco Giorgi] (1545), De Harmonia Mundi totius Cantica tria. Cum indice eorum, quae inter legendum adnotatu Digna visa fuere, nunc recens addito. Paris, apud Andream Berthelin, via ad divuum Iacobum, in domo Gulielmi Rolandi sub insigni aurae corone: & in vico Longobardorum in domo eiusdem G. Rolandi.
GIBBS, R. W., Jr., & MACEDO, A. C. P. S. (2010), “Metaphor and embodied cognition”: DELTA: Documentação de Estudos em Lingüística Teórica e Aplicada 26 (2010) 679-700.
GIBBS, R. W., Jr. (2017), “Embodied Dynamics in Literary Experience”: M. BURKE & E. TROSCIANKO (eds.) (2017), Cognitive Literary Science: Dialogues between Literature and Cognition. Oxford, Oxford University Press, 219-37.
HOSTETTER, A. B. & BONCODDO, R. (2017), “Gestures Highlight Perceptual-Motor Representations in Thinking”: R. B. CHURCH, M. W. ALIBALI, & S. D. KELLY (eds.) (2017), Why Gesture? How the Hands Function in Speaking, Thinking and Communicating. Amsterdam & Philadelphia, John Benjamins Publishing Company, 155-74.
IGLESIAS-CRESPO, C. (2021), “Energeia as Defamiliarization: Reading Aristotle with Shklovsky’s Eyes”: Journal for the History of Rhetoric 24.3 (2021) 274-89.
IGLESIAS-CRESPO, C. (2022), “La metarretórica cognitiva aristotélica y su influencia sobre el tratamiento de la memoria en la Rhetorica ad Herennium”: Rhetorica: A Journal of the History of Rhetoric 40.1 (2022) 1-22.
KNUUTTILA, S. 2014. “Emotions from Plato to the Renaissance”: S. KNUUTTILA & J. SIHVOLA (eds.) (2014), Sourcebook for the History of the Philosophy of Mind: Philosophical Psychology from Plato to Kant. Dordrecht, Springer, 463-98.
LAKOFF, G., and JOHNSON, M. (1980), Metaphors We Live By. Chicago, University of Chicago Press.
MATT, D. C. (trans. & commentary) (2014), The Zohar. Pritzker Edition, Volume Eight. Stanford, CA, Stanford University Press.
MATUSSEK, P. (2012), “Memory Theatre in the Digital Age”: Performance Research 17.3 (2012) 8-15.
MATUSSEK, P. (2019), “Inventing Interfaces: Camillo’s Memory Theater and the Renaissance of Human-Computer Interaction”: C. VILLASEÑOR BLACK & M. ÁLVAREZ (eds.) (2019), Renaissance Futurities. Science, Art, Invention. Berkeley, CA: University of California Press, 41-64.
MERINO, L. (2007), Retórica y artes de memoria en el Humanismo renacentista (Jorge de Trebisonda, Pedro de Rávena y Francisco Sánchez de las Brozas). Cáceres, Servicio de Publicaciones Universidad de Extremadura.
OSMOND, R. (1990), Mutual Accusation. Seventeenth-Century Body and Soul Dia-logues in Their Literary and Theological Context. Toronto, University of Toronto Press.
OSTAREK, M. & VIGLIOCCO, G. (2017), “Reading Sky and Seeing a Cloud: On the Relevance of Events for Perceptual Simulation”: Journal of Experimental Psychology: Learning, Memory, and Cognition 43.3 (2017) 579–90.
PETERS, J. S. (2004), “Theater and Book in the History of Memory: Materializing Mnemosyne in the Age of Print”: Modern Philology 102.2 (2004) 179-206.
RAITH II, C. (2014) Aquinas and Calvin on Romans. Oxford, Oxford University Press.
ROBINSON, K. (2006), A Search for the Source of the Whirlpool of Artifice: The Cosmology of Giulio Camillo. Edinburgh, Dunedin Academic Press.
RODRÍGUEZ DE LA FLOR, F. (1996), Teatro de la Memoria. Siete ensayos sobre mnemotecnia española de los siglos XVII y XVIII. Salamanca, Junta de Castilla y León- Consejería de Educación y Cultura.
ROSSI, P. (1960), Clavis Universalis. Arti Mnemoniche e Logica Combinatoria da Lullo a Leibniz. Milano-Napoli: Riccardo Ricciardi Editore.
SANTANA, E., & DE VEGA, M. (2011), “Metaphors are embodied, and so are their literal counterparts”: Frontiers in Psychology 2 Article 90 (2011) 1-12.
SIMONS, P. (2016), “Emotion”: S. Broohmhall (ed.) (2016), Early Modern Emotions: An Introduction. London: Routledge, 36-39.
TORRE, A. (2000), “Scena Speranze. Il paradigma del teatro nell’arte della memoria rinascimentale”: Scena
TIELEMAN, T. (1998), “Plotinus on the Seat of the Soul: Reverberations of Galen and Alexander in Enn. IV, 3 [27], 23”: Phronesis 43.4 (1998) 306-25.
TISHBY, I. & GOLDSTEIN, D. (1989), Wisdom of the Zohar: An Anthology of Texts. Oxford- Portland- Oregon, The Littman Library of Jewish Civilization.
VASOLI, C. (1984), “Uno scritto inedito di Giulio Camillo: ‘De l’humana deificatione’”: Rinascimento 24 (1984) 191-227.
WEBB, H. (2016), Dante's Persons: An Ethics of the Transhuman. Oxford, Oxford University Press.
WEINSTEIN, R. (2009), “The Rise of the Body in Early Modern Jewish Society: The Italian Case Study”: M. DIEMLING & G. VELTRI (eds.) (2009), The Jewish Body. Corporeality, Society, and Identity in the Renaissance and Early Modern Period. Leiden; Boston: Brill, 15-56.
WEST, W. N. (1997), “The Idea of a Theater: Humanist Ideology and the Imaginary Stage in Early Modern Europe”: Renaissance Drama 28 (1997) 245-87.
WILBERDING, J. (2012), “Curbing one’s appetites in Plato’s Republic”: R. BARNEY, T. BRENNAN & C. BRITTAIN (eds.) (2012), Plato and the Divided Self. Cambridge, Cambridge University Press, 128-49.
WOLFSON, E. R. (1992), “Images of God's Feet: Some Observations on the Divine Body in Judaism”: H. EILBERG-SCHWARTZ (ed.) (1992), People of the Body. Jews and Judaism from an Embodied Perspective. Albany-NY, State University of New York Press, 143-82.
YATES, F. (1999), The Art of Memory. London, Routledge.
YATES, F. (2001), The Occult Philosophy in the Elizabethan Age. London, Routledge.
ZHONG, C. & LILJENQUIST, K. (2006), “Washing Away Your Sins: Threatened Morality and Physical Cleansing”: Science 313 (2006) 1451-52.
ZORATTO, I. (2017), “Il simbolismo della tradizione mistica giudaica nel Theatro di Giulio Camillo”: Ce Fastu? Rivista della Società Filologica Friuliana “Graziadio I. Ascoli” XCIII.1-2 (2017) 7-24.
Publicado
2022-06-23
Secção
Artigos
