De bodas e jogos: uma análise do proêmio da Olímpica 7, de Píndaro
Palabras clave:
mélica griega, epinicio, elogio, boda, juegos, Píndaro
Resumen
Este artículo se centra en el proemio (1-19) de la Olímpica 7 de Píndaro, para analizar en él la estrategia de apertura del epinicio y de la llegada del poeta a la celebración del atleta vencedor objeto de elogio, el pugilista Diágoras de Rodas. En el análisis sobre-sale la relación entre el mundo del gámos ―de la boda― y el mundo de la níkē ―de la victoria atlética―, construida por el largo símil inicial (1-10) que prepara el anuncio del desembarco de Píndaro ―de su voz― en la isla de su laudandus.
Citas
BERNARDINI, P. A. (1983), “L’Olimpica Settima”: Mito e Attualità nelle Ode di Pindaro. Roma, Ateneo, 155-192.
BERNARDINI, P. A. (1991), “L’inno agli dei nella lirica corale greca e la sua destinazione sacrale”: AION (filol) 13 (1991) 85-94.
BERGK, T. (ed.) (1866), Poetae Lyrici Graeci – I: Pindari Carmina Continens. Leipzig, Teubner.
BOWRA, C. M. (1964), Pindar. Oxford, University Press.
BOWRA, C. M. (trad.) (1982), Pindar. London, Penguin.
BRASWELL, B. K. (1976), “Notes on the prooemium to Pindar’s Seventh Olympian ode”: Mnemosyne 29 (1976) 233-242.
BRESSON, A. (1979), Mythe et Contradiction. Analyse de la VIIe Olympique de Pindare. Paris, Belles Lettres.
BRIAND, M. (trad., coment.) (2014), Pindare. Olympiques. Paris, Belles Lettres.
BROWN, C. (1984), “The bridegroom and the athlete”: D. E. GERBER (ed.) (1984), Greek poetry and philosophy. Chico, Scholars Press, 33-36.
CAIRNS, D. L. (introd., ed., coment.); HOWIE, J. G. (trad.) (2010), Bacchylides. Five Epinician Odes (3, 5, 9, 11, 13). Cambridge, Francis Cairns.
DAVIES, M. (1988), “Monody, choral lyric, and the tyranny of the hand-book”: CQ 38 (1988) 52-64.
DAVIES, M. (ed.) (1991). Poetarum Melicorum Graecorum Fragmenta – I. Oxford, Clarendon.
DEFRADAS, J. (1974), “ΔΙΟΡΘΩΣΑΙ ΛΟΓΟΝ: la Septième Olympique”: J. L. HELLER e J. K. NEWMAN (eds.) (1974), Serta Turyniana. Chicago, University of Illinois Press, 34-50.
FENNELL, C. A. M. (ed., coment.) (1879), Pindar: the Olympian and the Pythian Odes. Cambridge, University Press.
FERRARI, F. (2010), Sappho’s Gift: the Poet and her Community. Transl. B. ACOSTA-HUGHES and L. PRAUSCELLO. Ann Arbor, Michigan Classical Press.
FOWLER, B. H. (trad.) (1992), Archaic Greek Poetry. Madison, The University of Wisconsin Press.
FRACCAROLI, G. (1894), Le Odi di Pindaro. Verona, G. Franchini.
GENTILI, B. (1965), “Aspetti del rapporto poeta, committente, uditorio nella lirica corale greca”: StudUrb (B) 39 (1965) 70-88.
GENTILI, B. et alii (introd., trad., coment.) (2013), Pindaro. Roma, Mondadori / Fond. Lorenzo Valla.
GILDERSLEEVE, B. L. (introd., coment.) (1885), Pindar: Olympian and Pythean Odes. London, MacMillan.
GONZÁLEZ, C. R. (2003), “Imágenes del quehacer poético en los poemas de Píndaro y Baquílides”: CFC (G) 13 (2003) 115-163.
HAGUE, R. H. (1983), “Ancient Greek wedding songs”: Journal of Folklore Research 20 (1983) 131-143.
KIRKWOOD, G. M. (ed., introd., coment.) (1982), Selections from Pindar. Chico, Scholars Press.
LEHNUS, L. (trad., coment.) (1981). Pindaro. Olimpiche. Milano, Garzanti.
LOURENÇO, F. (trad.) (2006), Poesia Grega de Álcman a Teócrito. Lisboa, Cotovia.
LYGHOUNIS, M. G. (1991), “Elementi tradizionali nella poesia nuziale greca”: MD 27 (1991) 159-198.
NISETICH, F. J. (1980), Pindar’s Victory Songs. Baltimore, The Johns Hopkins University Press.
ONELLEY, G. B.; PEÇANHA, S. (trad., introd., notas) (2016), As Odes Olímpicas de Píndaro. Rio de Janeiro, 7 Letras.
PETROPOULOS, J. C. B. (2003), Eroticism in Ancient and Medieval Greek Poetry. London, Duckworth.
PIRENNE-DELFORGE, V. (1994), L’Aphrodite Grecque. Athènes, Liège: CIERGA.
RACE, W. H. (ed., trad.) (1997), Pindar – I. Cambridge: Harvard University Press.
RAGUSA, G. (2005), Fragmentos de uma Deusa: a Representação de Afrodite na Lírica de Safo. Campinas, Editora da Unicamp. (Apoio: Fapesp)
RAGUSA, G. (2010), Lira, Mito e Erotismo: Afrodite na Poesia Mélica Grega Arcaica. Campinas, Editora da Unicamp. (Apoio: Fapesp)
RAGUSA, G. (org., trad.) (2011), Safo de Lesbos. São Paulo, Hedra.
RAGUSA, G. (org., trad.) (2013), Lira Grega. São Paulo, Hedra.
REDFIELD, J. M. (1982), “Notes on the Greek wedding”: Arethusa 15 (1982) 181-201.
RUBIN, N. F. (1980), “Olympian 7”: Hermes 108 (1980a) 248-252.
RUBIN, N. F. (1980b), “Pindar’s creation of epinician symbols”: CW 74 (1980b) 67-87.
SCHMIDT, D. A. (1987), “The performance of Bacchylides 5”: CQ 37 (1987) 20-23.
SLATER, W. J. (ed.) (1969), Lexicon to Pindar. Berlin, de Gruyter.
SLATER, W. J. (1969b), “Futures in Pindar”: CQ 19 (1969b) 86-94.
SMITH, O. (1967), “An interpretation of Pindar’s Seventh Olympian ode”: C&M 28, (1967) 172-185.
SNELL, B.; MAEHLER, H. (eds.) (1987), Pindarus – I. Leipzig, Teubner.
SULLIVAN, S. D. (1989), “A study of φρένες in Pindar and Bacchylides”: Glotta 67, 1989, 148-189.
SWIFT, L. A. (2010), The Hidden Chorus. Echoes of Genre in Tragic Lyric. Oxford, University Press.
TORRES, D. A. (1991), “Sobre el proemio de la Olimpica 7 de Píndaro”: N. M. PESSANHA e V. R. F. BASTIAN (orgs.) (1991), Vinho e pensamento. Rio de Janeiro, Tempo Brasileiro, Sociedade Brasileira de Estudos Clássicos, 67 75.
VERDENIUS, W. J. (1972), Pindar’s Seventh Olympian Ode. Amsterdam, North-
-Holland Publishing Co..
VERDENIUS, W. J. (1976), “Pindar’s Seventh Olympian ode”: Mnemosyne 29 (1976) 243-253.
VERDENIUS, W. J. (1987), Commentaries on Pindar – I. Leiden, Brill.
VOIGT, E.-M. (ed.) (1971), Sappho et Alcaeus. Amsterdam, Athenaeum, Polak & Van Gennep.
VOX, o. (1992), “On love as a fluid”: Hermes 120 (1992) 375-376.
WHEELER, A. L. (1930), “Tradition in the epithalamium”: AJPh 51 (1930) 205-223.
WILLCOCK, M. M. (ed., introd., coment.) (2002), Pindar, Victory Odes. Cambridge, University Press.
WILSON, L. H. (1996), Sappho’s Sweetbitter Songs. London, Routledge.
ZELLNER, H. (2006), “Sappho’s supra-superlatives”: CQ 56 (2006) 292-297.
YOUNG, D. C. (1968), Three Odes of Pindar. Leiden, Brill.
BERNARDINI, P. A. (1991), “L’inno agli dei nella lirica corale greca e la sua destinazione sacrale”: AION (filol) 13 (1991) 85-94.
BERGK, T. (ed.) (1866), Poetae Lyrici Graeci – I: Pindari Carmina Continens. Leipzig, Teubner.
BOWRA, C. M. (1964), Pindar. Oxford, University Press.
BOWRA, C. M. (trad.) (1982), Pindar. London, Penguin.
BRASWELL, B. K. (1976), “Notes on the prooemium to Pindar’s Seventh Olympian ode”: Mnemosyne 29 (1976) 233-242.
BRESSON, A. (1979), Mythe et Contradiction. Analyse de la VIIe Olympique de Pindare. Paris, Belles Lettres.
BRIAND, M. (trad., coment.) (2014), Pindare. Olympiques. Paris, Belles Lettres.
BROWN, C. (1984), “The bridegroom and the athlete”: D. E. GERBER (ed.) (1984), Greek poetry and philosophy. Chico, Scholars Press, 33-36.
CAIRNS, D. L. (introd., ed., coment.); HOWIE, J. G. (trad.) (2010), Bacchylides. Five Epinician Odes (3, 5, 9, 11, 13). Cambridge, Francis Cairns.
DAVIES, M. (1988), “Monody, choral lyric, and the tyranny of the hand-book”: CQ 38 (1988) 52-64.
DAVIES, M. (ed.) (1991). Poetarum Melicorum Graecorum Fragmenta – I. Oxford, Clarendon.
DEFRADAS, J. (1974), “ΔΙΟΡΘΩΣΑΙ ΛΟΓΟΝ: la Septième Olympique”: J. L. HELLER e J. K. NEWMAN (eds.) (1974), Serta Turyniana. Chicago, University of Illinois Press, 34-50.
FENNELL, C. A. M. (ed., coment.) (1879), Pindar: the Olympian and the Pythian Odes. Cambridge, University Press.
FERRARI, F. (2010), Sappho’s Gift: the Poet and her Community. Transl. B. ACOSTA-HUGHES and L. PRAUSCELLO. Ann Arbor, Michigan Classical Press.
FOWLER, B. H. (trad.) (1992), Archaic Greek Poetry. Madison, The University of Wisconsin Press.
FRACCAROLI, G. (1894), Le Odi di Pindaro. Verona, G. Franchini.
GENTILI, B. (1965), “Aspetti del rapporto poeta, committente, uditorio nella lirica corale greca”: StudUrb (B) 39 (1965) 70-88.
GENTILI, B. et alii (introd., trad., coment.) (2013), Pindaro. Roma, Mondadori / Fond. Lorenzo Valla.
GILDERSLEEVE, B. L. (introd., coment.) (1885), Pindar: Olympian and Pythean Odes. London, MacMillan.
GONZÁLEZ, C. R. (2003), “Imágenes del quehacer poético en los poemas de Píndaro y Baquílides”: CFC (G) 13 (2003) 115-163.
HAGUE, R. H. (1983), “Ancient Greek wedding songs”: Journal of Folklore Research 20 (1983) 131-143.
KIRKWOOD, G. M. (ed., introd., coment.) (1982), Selections from Pindar. Chico, Scholars Press.
LEHNUS, L. (trad., coment.) (1981). Pindaro. Olimpiche. Milano, Garzanti.
LOURENÇO, F. (trad.) (2006), Poesia Grega de Álcman a Teócrito. Lisboa, Cotovia.
LYGHOUNIS, M. G. (1991), “Elementi tradizionali nella poesia nuziale greca”: MD 27 (1991) 159-198.
NISETICH, F. J. (1980), Pindar’s Victory Songs. Baltimore, The Johns Hopkins University Press.
ONELLEY, G. B.; PEÇANHA, S. (trad., introd., notas) (2016), As Odes Olímpicas de Píndaro. Rio de Janeiro, 7 Letras.
PETROPOULOS, J. C. B. (2003), Eroticism in Ancient and Medieval Greek Poetry. London, Duckworth.
PIRENNE-DELFORGE, V. (1994), L’Aphrodite Grecque. Athènes, Liège: CIERGA.
RACE, W. H. (ed., trad.) (1997), Pindar – I. Cambridge: Harvard University Press.
RAGUSA, G. (2005), Fragmentos de uma Deusa: a Representação de Afrodite na Lírica de Safo. Campinas, Editora da Unicamp. (Apoio: Fapesp)
RAGUSA, G. (2010), Lira, Mito e Erotismo: Afrodite na Poesia Mélica Grega Arcaica. Campinas, Editora da Unicamp. (Apoio: Fapesp)
RAGUSA, G. (org., trad.) (2011), Safo de Lesbos. São Paulo, Hedra.
RAGUSA, G. (org., trad.) (2013), Lira Grega. São Paulo, Hedra.
REDFIELD, J. M. (1982), “Notes on the Greek wedding”: Arethusa 15 (1982) 181-201.
RUBIN, N. F. (1980), “Olympian 7”: Hermes 108 (1980a) 248-252.
RUBIN, N. F. (1980b), “Pindar’s creation of epinician symbols”: CW 74 (1980b) 67-87.
SCHMIDT, D. A. (1987), “The performance of Bacchylides 5”: CQ 37 (1987) 20-23.
SLATER, W. J. (ed.) (1969), Lexicon to Pindar. Berlin, de Gruyter.
SLATER, W. J. (1969b), “Futures in Pindar”: CQ 19 (1969b) 86-94.
SMITH, O. (1967), “An interpretation of Pindar’s Seventh Olympian ode”: C&M 28, (1967) 172-185.
SNELL, B.; MAEHLER, H. (eds.) (1987), Pindarus – I. Leipzig, Teubner.
SULLIVAN, S. D. (1989), “A study of φρένες in Pindar and Bacchylides”: Glotta 67, 1989, 148-189.
SWIFT, L. A. (2010), The Hidden Chorus. Echoes of Genre in Tragic Lyric. Oxford, University Press.
TORRES, D. A. (1991), “Sobre el proemio de la Olimpica 7 de Píndaro”: N. M. PESSANHA e V. R. F. BASTIAN (orgs.) (1991), Vinho e pensamento. Rio de Janeiro, Tempo Brasileiro, Sociedade Brasileira de Estudos Clássicos, 67 75.
VERDENIUS, W. J. (1972), Pindar’s Seventh Olympian Ode. Amsterdam, North-
-Holland Publishing Co..
VERDENIUS, W. J. (1976), “Pindar’s Seventh Olympian ode”: Mnemosyne 29 (1976) 243-253.
VERDENIUS, W. J. (1987), Commentaries on Pindar – I. Leiden, Brill.
VOIGT, E.-M. (ed.) (1971), Sappho et Alcaeus. Amsterdam, Athenaeum, Polak & Van Gennep.
VOX, o. (1992), “On love as a fluid”: Hermes 120 (1992) 375-376.
WHEELER, A. L. (1930), “Tradition in the epithalamium”: AJPh 51 (1930) 205-223.
WILLCOCK, M. M. (ed., introd., coment.) (2002), Pindar, Victory Odes. Cambridge, University Press.
WILSON, L. H. (1996), Sappho’s Sweetbitter Songs. London, Routledge.
ZELLNER, H. (2006), “Sappho’s supra-superlatives”: CQ 56 (2006) 292-297.
YOUNG, D. C. (1968), Three Odes of Pindar. Leiden, Brill.
Publicado
2019-04-01
Sección
Artículos
